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David Armano is VP of Experience Design with Critical Mass. This is his personal blog where he shares thoughts + opinions that are solely his own.  Logic+Emotion exists at the intersection of business + experience design—where passive consumers become active participants.

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Sunday, October 01, 2006

Business + Design

D_grad_1

BusinessWeek has a great piece on how the business world is turning to designers to help solve their complex problems through innovation vs. drawn out strategization.  In short, more doing—less talking.  From the piece here is great comparison between the B-School way and the "D-School" way:

"A B-school class would have started with a focus on market size and used financial analysis to understand it. This D-school class began with consumers and used ethnography, the latest management tool, to learn about them. Business school students would have developed a single new product to sell. The D-schoolers aimed at creating a prototype with possible features that might appeal to consumers. B-school students would have stopped when they completed the first good product idea. The D-schoolers went back again and again to come up with a panoply of possible winners."

In short, the above comparison is showing the difference between the creative process (I'm talking about design here, not the creation of a 30 second TV spot), and a strategic  process which isn't engineered to support designing, testing, validating and re-designing.  That's not how B-school works (unless they are teaming up with designers).

Prototyping is small tool in the arsenal of a bigger design + business strategy.  But it's increasingly becoming relevant even outside the areas of product design.  Marketers need to understand the value of this kind of mindset.  It's especially relevant within the Social Network which does not work well with a traditional marketing  plan.  Testing the waters with social media requires a plan that doesn't end (if you can even call that a plan)—similar to prototyping, you design, develop, test and make adjustments, you re-launch and measure—then tweak.  It's an iterative process focused on designing a variety of solutions vs. the static nature of a traditional marketing plan.

I worked on a project where we were tasked with innovating the entire online online auto insurance quote process.  Rather than talk about all the ways we wanted it to be different, we designed, built and tested a pseudo-working version of it.  This is not an area that Marketing strategists have been trained in.  You only learn these skills as a designer, whether it's software, Web or other.  It's creative problem solving, not strategic analysis.  There's a big difference.

Another quote from the article:

"What characterizes the best D-schools and design programs? First, they are multidisciplinary. They combine engineering, business, design, and social sciences. They team-teach using groups of professors and outside professionals. And they teach students who are organized in groups to operate as teams.

Second, they can be found in both D-schools and B-schools, plus the growing number of joint ventures between the two. B-schools are adding design course tracks. Engineering schools are opening innovation centers. Classical design schools are adding business components.

Third, D-school grads are special. Call them hybrids or polymaths, they are people with both extraordinary depth in a field and the breadth of knowledge to apply it. "A lot of companies have multidisciplinary teams -- marketing people, engineers, designers, strategists. But having all those parts embedded in one person's brain -- that really puts you over the edge in terms of being able to innovate," says Colleen Murray, an IIT Institute of Design graduate at innovation strategy firm Jump Associates."

So the magic formula seems to be tight integration between business and design teams.  B-schools are integrating some design thinking while D-schools encourage designers to be generalists—not fine artists.  Again, a distinction to be made here.  The D-schools mentioned in this report do not produce copywriters, illustrators and photographers (this doesn't mean that these skills aren't valuable—they are).  However, what these schools are focusing on is the production of critical "design thinkers".  Individuals who look at solving complex business problems through strategic and innovative creativity.  And it's not just admirable aesthetics or stunning architecture—it could be designing a better water treatment facility or coming up with the next Flickr killer.

Guess the bottom line is that it's a good time to be a designer.  And it's a great time to be enrolled in a respectable program (though it should be noted that learning on the job is just as valid, if not more applicable).  But if you're on the business (or creative) side and still think design is about pretty pictures or even products—think again.

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Very interesting report indeed. It reminded me of a beautiful oppening paragraph of a book I've read recently:

"The last few decades have belonged to a certain kind of person with a certain kind of mind - commputer programmers who could crank code, lawyers who could draft contracts, MBA's who could crunch numbers. But the key to the kingdom are changing hands . The future belongs to a very different kind of person with a very different kind of mind - creators and empathisers, pattern recognisers, and meaning makers. These people - artists, inventors, designers, storytellers, caregivers, consolers, big picture thinkers - will now reap society's richest rewards and share its greatest joys."

Daniel H. Pink - A whole New Mind 2005

Along the same lines, Fast Company also came out with a "Masters of Design" issue this month and it features some great designers, as well as a nice quote by Roger Martin:
"It's no longer enough to simply outperform the competition; to thrive in a world of ceaseless and rapid change, businesspeople have to outimagine the competition as well. They must begin to think - to become - more like designers."

p.s. Nice meeting you at Digitas, David. Great blog!

Barbara—yes I saw the Roger Martin article. Good stuff. Hopefully this kind of thinking is penetrating the Businessworld at a deeper level.

And nice meeting you as well. Thought we had a great meeting. Feel free to visit here any time.

Thank you David, for opening the door to a new way of thinking about management education. In your opinion, what are some of the top D-schools? Why would you categorize them as such?

Stephan,

I've heard good thigs about the programs at Stanford, and even developing ones like Yale.

But from personal experience, I can tell you that I've met and worked with many talented and smart individuals consistant with the thoughts expressed in this article who have graduated from The Illinois Institute of Technology (Institute of Design), and Carnegie Mellon (worked with a very talented individual who graduated from their HCI program).

On a personal note, Pratt was very good to me.

http://darmano.typepad.com/logic_emotion/2006/09/what_i_learned_.html

I would catagorize any good D-school as one who produces creative individuals who cna use their talents to solve business challenges.

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